Showing posts with label Faculty news. Show all posts
Showing posts with label Faculty news. Show all posts

Sunday, April 26, 2015

Department 25th Anniversary Closing Reception

Department Chair Dr. Jennie Ebeling, Dr. Pat Thomas, Dr. Alan Kaiser, & Dr. Heidi Strobel

The Department of Archaeology and Art History’s 25th Anniversary celebration ended with a reception and book signing in the lobby of the Schroeder Family School of Business Administration.  Attendees were able to purchase copies of Dr. Alan Kaiser’s book Archaeology, Sexism, and Scandal:  The Long-Suppressed Story of One Woman’s Discoveries and the Man Who Stole Credit for Them and even get him to personally sign them.  Everyone enjoyed the sweet treats with the highlight being the sheet cake graced with Dr. Kaiser’s book cover.

The large crowd that attended the lecture
mingles in the SOBA lobby.
Barbara Peterson gets copy of the book
about her mother signed by Dr. Kaiser


 

Thursday, April 25, 2013

Professor Alan Kaiser Wins Teaching Award


We are very pleased to announce that Associate Professor of Archaeology, Alan Kaiser, was awarded the Dean's Teaching Award from the College of Arts and Sciences at the University of Evansville yesterday! This award recognizes Dr. Kaiser's commitment to student learning and mentoring during his twelve years at UE. Congratulations, Dr. Kaiser!

Dr. Kaiser at Hadrian's Wall.

Monday, April 15, 2013

Heidi Strobel to present at Reitz Home Museum


Dr. Heidi Strobel will present her research on Evansville-area "Rosie the Riveters" at 7:00 pm tonight at the Reitz Home Museum. Hope you can attend!

Monday, August 29, 2011

Dr. Heidi Strobel publishes book


Dr. Strobel's book The Artistic Matronage of Queen Charlotte (1744-1818): How a Queen Promoted Both Art and Female Artists in English Society has just been published by Edwin Mellen Press. Here's a description of the book from amazon.com:

This book focuses on the artistic patronage of Queen Charlotte of England, whose artistic support has been traditionally overshadowed by that of her husband, King George III. Although Charlotte and her husband jointly patronized artists during the first decade of their marriage, she eventually became a substantial patron in her own right, supporting both the fine and decorative arts. The demands of raising a large family postponed Queen Charlotte's artistic patronage, but even during these early years, she was viewed as an important cultural agent, as artists of both genders sought her approbation. She was particularly drawn to the work of female artists, many of whom worked outside of the dominant cultural institution of the time, the Royal Academy of the Arts. This preference was passed on to several of her children, most notably, the future George IV and Princess Elizabeth, later Landgravine of Hesse-Homburg. In this study, Charlotte's support of these artists, or matronage, is viewed within the context of a network of female sociability or cultural discourse at the English court, whose bonds were often strengthened by artistic gifts. Homosocial environments, characterized by a professional relationship between a patron and artist of the same sex, were quite popular at the end of the eighteenth century and Charlotte's matronage should be viewed within that context. Other royal women who participated in this pan-European phenomenon include Catherine the Great of Russia, Marie-Antoinette of France, her sister, Maria Carolina of Naples, and the aunts of Louis XVI, Mesdames Sophie, Adelaide and Victoire. These female monarchs and royals commissioned female artists to construct conceptions of noble femininity that united both the private and public roles that these women were expected to fulfill. This study will appeal to scholars in the field of art history, history, gender studies, and material culture.

Congratulations Dr. Strobel!!