Showing posts with label Art History. Show all posts
Showing posts with label Art History. Show all posts

Thursday, April 3, 2014

Miranda A. Student Art Exhibition Awards

Archaeology and Art major Miranda Amey has won three awards in the 52nd annual Student Art Exhibition at the University of Evansville. Three of her works, including Teagan, are on exhibit in the Melvin Peterson Gallery on the UE campus until April 7. Miranda won the following awards this year:
 
3rd Place Award of Excellence
2014 Gumberts' Award Winner 
Judges' Choice Purchase Award
 
Congratulations, Miranda!

Monday, April 15, 2013

Heidi Strobel to present at Reitz Home Museum


Dr. Heidi Strobel will present her research on Evansville-area "Rosie the Riveters" at 7:00 pm tonight at the Reitz Home Museum. Hope you can attend!

Wednesday, March 28, 2012

Student Hilary W. Presents at Conference

Art History and History double-major Hilary Waltz presented a paper entitled “Religious Art of the Sixteenth Century” at the Indiana Regional Conference of the Phi Alpha Theta History Honor Society held at Indiana Wesleyan University on March 24, 2012. Hilary’s paper won best paper in the Religious Art category. Congratulations Hilary!

Hilary (third from left) with Dr. Heidi Strobel (in red) and students at Harlaxton in spring 2011.

Monday, August 29, 2011

Dr. Heidi Strobel publishes book


Dr. Strobel's book The Artistic Matronage of Queen Charlotte (1744-1818): How a Queen Promoted Both Art and Female Artists in English Society has just been published by Edwin Mellen Press. Here's a description of the book from amazon.com:

This book focuses on the artistic patronage of Queen Charlotte of England, whose artistic support has been traditionally overshadowed by that of her husband, King George III. Although Charlotte and her husband jointly patronized artists during the first decade of their marriage, she eventually became a substantial patron in her own right, supporting both the fine and decorative arts. The demands of raising a large family postponed Queen Charlotte's artistic patronage, but even during these early years, she was viewed as an important cultural agent, as artists of both genders sought her approbation. She was particularly drawn to the work of female artists, many of whom worked outside of the dominant cultural institution of the time, the Royal Academy of the Arts. This preference was passed on to several of her children, most notably, the future George IV and Princess Elizabeth, later Landgravine of Hesse-Homburg. In this study, Charlotte's support of these artists, or matronage, is viewed within the context of a network of female sociability or cultural discourse at the English court, whose bonds were often strengthened by artistic gifts. Homosocial environments, characterized by a professional relationship between a patron and artist of the same sex, were quite popular at the end of the eighteenth century and Charlotte's matronage should be viewed within that context. Other royal women who participated in this pan-European phenomenon include Catherine the Great of Russia, Marie-Antoinette of France, her sister, Maria Carolina of Naples, and the aunts of Louis XVI, Mesdames Sophie, Adelaide and Victoire. These female monarchs and royals commissioned female artists to construct conceptions of noble femininity that united both the private and public roles that these women were expected to fulfill. This study will appeal to scholars in the field of art history, history, gender studies, and material culture.

Congratulations Dr. Strobel!!

Wednesday, December 8, 2010

Juniors Leah Thomas and Rachel Lawrence present at conference



Leah (left) and Rachel (right) at Moravian College.
Juniors Leah Thomas and Rachel Lawrence presented their original research at the Fifth Undergraduate Conference in Medieval and Early Modern Studies at Moravian College in Bethlehem, PA on December 4, 2010. Leah, who is a double-major in Archaeology and Art History, read a paper entitled “Italian Matrons and Courtesans: A Study in Portraiture,” while Rachel Lawrence, a double-major in Archaeology and History, presented “Vlad the Impaler: Monster with a Cause.” Both received UExplore Undergraduate Research Travel Grants that allowed for their participation in this conference.